söndagen den 28:e november 2010

Top 5 Reasons Why Family Guy Is Better Than The Simpsons


The Simpsons might be the 20th century Flintstones and Family Guy the 21th century Simpsons. Anyhoo, I like Family Guy better than The Simpsons (heneceforth FG and TS respectively) and here's why.

1. Relative Absence Of Irritating Voices
The voices of TS charachters are annoying all the time. FG voices can be annoying too, sure, but on the whole they're more agreeable. And the voice of Brian is spoken in Seth MacFarlane's normal speaking voice and that, my friends, is an artistic sign of moderation: "Go all the way, then step back" as Harley Earl put it. TS on their hand are overstating the comedy bit by making all the voices so "edgy" and "funny".

2. Slightly Anti-PC
TS are mainly PC scripts sprinkled with edgy jokes; to the core it isn't so satirical. Admittedly, FG is not a cutting-edge satire all the time but the anti-PC element is there. Like this dialogue with Peter sitting at home smoking crack. Lois asks him:
"What are you doing?"
"Smoking crack."
"Where did you buy it?"
"From Blacks."
"What?"
"From behind Black's hardware store. It was a white guy who sold it."

3. Tastier Colours
TS has gaudy, blaring colouring ("kids colours") whereas FG is more restrained in this sense, balancing pastels with rich, saturated tones (e. g. grey, pink and pistage along with bourbon, olive green and dark blue). TS after a while saw the aesthetical truth in this (more agreeable to the eye) and started to tint its colurs in the FG way.

4. Good Girl Art
Most TS women are ugly whereas FG can feature some "real hot chicks". It's not a porn show, I know, but it's the same syndrom as with the voices: TS has annoying voices and ugly chicks, FG has (in the framework of satire and all) almost normal voices and sweet looking birds too.

5. Brian And Stewie
FG has the characters Brian and Stewie, a drinking, talking dog and a machiavellian one-year old respectively. I know they say in the industry, "Avoid kids and animals" but FG:s Brian and Stewie are the exceptions that prove the rule. I won't even try to explain why these characters are funny. However, they enable a lot more stories to be spun around them than TS' more realist "silent dog and one-year old that hasn't learned to speak yet".

Coda: It goes without saying that FG copied the formula of TS, but other than that I don't care for TS anymore. It's the same with superheroes: DC invented them but then came Marvel in the 60's and took the concept to a wholly different level. Since then I regard Marvel as the golden standard of superhero comics and DC just can't compete.

fredagen den 26:e november 2010

A Flashy Story By Lennart Svensson About American Servicemen On Guadalcanal, 1942, Being Hijacked Into The Future


Once upon a time some soldiers were returning home after a sally. And a strange thing indeed befell them before they reached their own lines. Here's the story.

1.

We were trotting along in single file through the bushes, the sky dark above our heads, with only the moon to light out way. Spirits were riding high but I hushed my men saying, ”It ain’t over ’til it’s over...”

We weren’t home yet, there could be enemy patrols lying in ambush. We were however taking a different route home so hopefully our path was safe. I knew my way through this particular jungle; we had been out playing hide-and-seek here for the last two weeks in order to pass the time in the general stalemate. After some initial success the campaign in question had bogged down in small-unit warfare, such as our squad-size sally this night.

It was October, 1942, on Guadalcanal, where we had landed in August the same year. And now we were returning to our own lines after a successful patrol: we had demolished a bunker and snatched a prisoner.

We approached a clearing. I made the halt sign and watched the glade; moon-lit and grown with elephant grass it seemed OK. I noted some stray noises from the jungle, squeaks and croaks from birds and bats and what have you. Strange as they were they belonged there; it was only when you listened to them a bit too long that you got the creeps.

Then the noises seemed to die down. And as I stood there, watching the glade, I had the strangest visions – visions not of joining the Marines, training at Pendleton, stationing at Hawaii, getting promoted to Sergeant, one day seeing Japanese planes in the sky and being hurled into a war, a war that firstly took us to this island, Guadalcanal, where we made a forced landing and had begun to battle it out with Hirohito’s Hordes. I didn’t think about that at all, oh no, I got wholly different visions in my mind there and then: visions of starships and burning suns, energy beams and soldiers clad in weird suits, and enemies in the form of scorpions and humanoid crocodiles and whatnot...

What was it all? Post-stress hallucinations, with the addition of too much reading of Astounding and Amazing?

I shook my head and cleared my mind. It was time to go, to return to our own lines, our own defensive positions here on the island. I looked back at my eight men, nine with the prisoner. I was thinking about splitting the force in two, having my deputy take one team to the right of the glade and I the other to the left, when a light in the sky caught my eye. It approached, shifted from green to red and then to blue, and then it got so near that I could make out a silhouette, a contour of a ship – or whatever! It looked like a musical instrument, a trumpet or a French horn with the muzzle pointing downwards. I was dumbstruck. Then I heard a sound, a fine chord i D Major, and by that we were all lifted up to the ship.

Yes I know it sounds weird, but it gets weirder...

Soaring up in the sky like that first made me mad – and then I got afraid – and then I calmed down – and by the time we soared in through the muzzle of the horn I was rather collected. I still had the responsibility over my men.

The next thing I knew we were all lying on a smooth steel floor, surrounded by equally smooth walls.

”Guys,” I said to my men, ”I don’t know what the heck this is, but stay calm. Breathe.”

I could hear them collectively draw their breath, even our Japanese prisoner. How about that for understanding over the language barrier.

Stay calm I repeated to myself, and then what? We had been taken aboard a strange ship, a spaceship maybe; oh my I thought, no one would believe me if I got back to tell this... That’s what crossed my mind. And if I didn’t get back I would be charged for desertion from the colours, or just marked up as Missing In Action.

Practical, soldiery thoughts you might think. But I was a soldier, a down-to-earth type of guy, however also an ardent science fiction reader; that’s no contradiction. Or maybe it is. Shame on me.

”But what is this all?” my deputy squad leader, Chavez, said.

”I don’t know,” I said. Just cool it down and take a rest. We seem to be trapped, that’s all I can say.”

Indeed we were trapped: I had the men explore the room in search of a way to escape, but the walls were as smooth as jo-blocks. No joints or apertures or crevices were to be seen. So we had to stick to Plan A: stay calm. And I stayed calm, but underneath I was mad as hell. Who in the name of Bejeesus would want to kidnap some Marines on patrol in the midst of a war?

The ship jolted and I had the sensation of motion. ”Goodbye Earth” I thought, and then I reminded myself of the visions I had had at the glade, of burning suns and strange soldiers and enemies ten feet tall and –

Some more of the odd music was heard and this time it all soothed us to sleep. It was impossible to withstand so I gave in to the drowsiness and fell asleep.



2.

To make a long story short: we were taken away to a distant land, distant in time that is, for the guys with the trumpet-ship came from the future. Yes indeedy: they were men from the future, men like us – but as mankind in the future had gotten into a war with strange creatures, alien species such as humanoid crocodiles (my vision had been prescient) and their allies, they needed our help. Why? Because man in the future didn’t know how to make war, how to do battle...

That’s where we came in, we Marines from the 20th century. We had been taken to the 25th century to teach them how to fight.

Sounds weird? It gets weirder...

However. We were taken to the planet of Migalotha, the central planet of man’s empire in the year of 2457. Two suns, purple hills at the horizon, cylindrical palaces and tortuous high rises; I was glad I had read some of those science fiction-magz, they cured me of the future shock. One of my men actually got mad, Lejeune was his name. Another had been shot when he, against my orders, had tried to assail one of the crew on the trumpet ship. Dunbar was his name.

So we were seven Americans and one Japanese, and he, Hashima by name, soon became our equal. In fact he became a good teacher of bushido, the old Japanese warrior code, which was just what the humans of the 25th century needed. We had all learned their language by then and we all got to work to train these future men; they called their state The Trakian Empire, so they were called Trakians. Recalling everything we could about weapon construction and such things (a man called Winter was our technical wizard, only a smith’s assistant back on earth but he knew a lot I can assure you) we helped the Trakians to arm themselves, after having taught them the simple concept of guns, of killing another being, which in itself was alien to them. But they got over it... They learned quickly.

You could say: they learned quickly because they had to.

Then came the hardest part: to set up functional army units, units of foot soldiers, and that’s where I made my major contribution. After having made myself Colonel I sketched a complete army system for them and then, with the aid of my ablest men as instructors - Chavez, Martell, Jones - we slowly saw the ranks grow. You might wonder how Corporals and Privates such as these could be instructors of companies and battalions, but I can only say: if your life depends on it and you can lead a squad or a team, then you can lead a company. And our enemy, the humanoid crocodile Riliacs, did make war on us, they wanted us all dead, I can assure you that...

Moving on. A somewhat odd fellow in my squad, Anderson, a bespectacled guy with wider reading habits than I, proved to be a good staff officer. By way of the Trakian library of old military handbooks, he educated himself into a tactical and operational genius. And the logistical part, the supply and maintenance question, was masterminded by Olsen, a hands-on practical man who always happened to have spare chocolate bars in his pockets. On Earth as well as here on Migalotha...!

Now then, if I haven’t stated it clear yet: the humans of the 25th century hadn’t seen war, never since they had made their Exodus into space from Earth by the early 21st century. That’s where we came in. And with our war-mindedness and ideas on organization and weapon construction, aided by the high-tech of the 25th century (resulting e. g. in energy weapons), we succeeded in setting up a battle group of sorts. We even had them build a class of warships, sleek vessels with none of that musical instrument-look about them...

So we made a raid on the enemy and it was a dismal failure. Part of it was my fault (the unit was too small, only three companies), part of it was due to the inexperience of the non-coms and officers we had trained. But the next mission went better: we attacked the Riliacs home planet in force, with four battalion-sized combat groups; again it was only a raid but we stood our ground as long as we remained planetside. We directed orbital bombs to crush a city into smoking rubble, with some laser rocket ships to finish it off, and we defended our landing zone against onslaughts of infantry.



3.

We were earthly soldiers, taken to the future to fight a war for mankind. We were all in time made Generals and some of us leaders of divisions, with which we harrassed the enemy here and there. But it was no picnic; for example Hashima, the Japanese, got surrounded with his staff on Taloola and drained in a hailstorm of electron beams from assaulting Riliacs. The force-fields of our suits weren’t enough to protect us if they were saturated with energy beams from every direction.

Martell, for his part, was out on a commando mission to Arcturus IV when his patrol ship got intercepted by a Rilian task force. Missing In Action.

And then there was Chavez, who planted the Trakian banner on top of the ruins of the fortress Xamaforia. Having done that he sat down, shut off his force-field – and was killed by a stray beam from a hidden Riliac soldier.

That left me (Shipparelli by name), Jones, Olsen, Anderson and Winter. As intimated the last three weren’t front-line generals, they were logistical, technical and operational experts respectively. However we all became rather close, became a veteran foreign legion of five among mankind of the 25th century.

It was a day in the year of grace 2468. We had been in this future war for over ten years; the battles still raged, but for the moment we had taken some time off to meet at my summer house in the Migalothian countryside. There were palm trees a hundred meters tall, a lake of turquoise-blue water and purple-and-red flowers with maddening smell.

”So what do you think happened in the old war?” Jones said and drank from his goblet of sapphire wine.

”The – what was it called now – American war we were in?” Winter said, absentmindedly eyeing a giant butterfly landing on a flower-cup nearby.

”Yes,” I said, ”We were Americans, fighting against the Japanese... how strange these words sound nowadays.”

Olsen for his part said nothing, tucking into a plate of fried squid.

”We were soldiers,” Anderson said, ”soldiers then, soldiers now. What’s the difference? You’ve gotta live for the moment.”

”True, true,” Jones said and finished his wine, looking out over the lake. ”We have to end this war, the one we’re in. What do you make of it?”

Well, what did we make of it? It was a bit complicated. The Riliacs had allies, giant scorpions (another of my visions there at ’Canal being true), but those were mostly annoying, un-intellegent species as they were. They served the Riliacs as a sort of shock-weapon, but when the first shock had worn off they were easy to kill. Other than that it was a war of attrition, a test to see which side would give in. There were more call-ups, more units launched, more assaults being made, more warships being constructed... More of everything.

Then Jones died in a space-raid on his new home-planet, Klomara III. Space-bombing, rocks thrown from orbit; pretty damaging if the force-field protecting the city in question is knocked out. And then Anderson died from food-poisoning, strange as it may seem. And Winter commited suicide, being homesick for his American homeland, for his 20th century Earth – even though he could barely remember words like ”America”, ”American”, or ”Earth”.

Olsen, the logistican, had to retire due to obesity. He died peacefully soon after.

And that left me, Shipparelli, the sole survivor of the original ten. But I didn’t have any choice but to go on fighting and making the Trakian empire of the 25th century my home.

So what can I add? I mainly sat behind a desk the rest of the war, organizing the victory. Oh yes, we did win the war eventually. I also had to make peace with the Riliacs; that was mainly a victory to win over yourself, to begin to see your former enemy as an ally I mean. But it had to be done – because in the meantime, simultaneous to our winning the Riliac war, a new enemy loomed up over the event horizon: the Energetics we called them, beings of pure energy, jumping out of white holes in the sky. But we beat them by applying the second law of thermodynamics to them: energy can’t be destroyed, only transformed – so with the help of the Riliacs we sent them screaming back through the giant black hole in the midst of the galaxy.

As I’m writing this I am 195 years old, the ageing process having been slowed by the Trakian medical science. And I am married to a Trakian woman, only 103 years of age. Ours is a great match, no doubt, but to tell you the truth I am fed up with living, I’ve had my share of the material life so now I only look forward to The Greater Life, The Big Hereafter. Oh yes, I’m a Believer: ”There are no atheists in the trenches”, that’s true for both old and future wars...

Related
Boots on the Ground
General Yonathan

Caza: "The Ark"


It's nice to buy things, put them in your library and see them "sweeten through the years like wine". To see them grow and develop, see them take on new meanings. Like: you buy a book, read it in 1987, then save it and read it again in 1992, 1998 etc, and all the time the work takes on new colours, new meanings, new dimensions. It's some sort of alchemy: "the alchemy of consciousness and time" as Ellie would have it.


Anyway: it's fun to buy books and magazines and read them again over the years. And here I have a magazine just like that, Heavy Metal from February 1983. It runs the poem "The Ark" by the French artist Caza, a graphic rendition of a poem by one Francois Bazzoli. Needless to say I've read it again and again since the eighties and all the time it astounds me.

It's about an ark, a stony vessel fastened to the ground, going through epochs of water, earth, air and fire. It's very majestic, the images perfectly mirroring the words, words like:

The Ark.

The Ark is closed... waiting.

The antediluvians, guided by the immemorial voice
of a myth, are already there.


That's the beginning, showing The Ark going through torrential rains and then getting drowned completely - "a shipwrecked cathedral". It's sleeping with the fish as they say. Then the water recedes, exposing the ark to the light of day:

The Ark reappeared on the earth's surface, covered
with slimy excrement and silt, enclosed in anticipation
- immobile.

The closed ark: shrine and prison, mountain and temple,
chest and skull. Arcane.

... And, under the petrified matrix: deaf ripening, slow
sculpture, secret maturation - transmutation.


The colours at the beginning were greyish violet and the water epoch was green. Then the epoch of earth and sand becomes ochre yellow; The Ark is worn down by the desert winds, severe abrasion seeming to dissolve it completely. But then a new epoch dawns, transforming The Ark into a reddish violet gem:

Resurrection: in the sparkling air, it is The Ark! Delivered
from its origin of chalkstone, the rarified nave reveals
its silvery chrystallizations to infinity. (But still opaque.
The time of revelation hasn't come yet, prince.)

(Thus, the age of air: of clear and cold night, of
purification, of coagulation - a chrystalized psalm.)

(Millions of years frozen in the instant of dawn.)


Then the sun goes nova and everything falls apart, literally:

And see: what boils under the shell, this terrible lava of unleashed gods and spirits of the underworld, spring up and are united with the fires of the howling sky, in the incandescent apotheosis of a cosmic copulation.


Everything burns and desintegrates, except, of course, The Ark. The glorified nave withstands it all, just quietly sailing away into the abyss. Stars fade and die in this era of emptiness, akâsha, the fifth element. Only The Ark remains, attracting matter and contracting into a cosmic egg. Everything ends with a Something orbiting a center, a rainbow coloured orbit with lights in the dark:

Thus, prince, The Ark will not open onto the outside
- it is abolished as well as the inside. It turns in on its
entirety - inverts itself, and is revealed.

So... so here is the one that was integrated with eternity.

Here is where opposites converge... here, finally
recomposed, the ultimate principal of the living
universe, Alpha and Omega...

Here is THE ARK.

Period.

And Genesis.


In other words, this is a work of genius. The original poem might have been in Italian or French, but the actual version to me has echoes of T. S. Eliot. Furthermore, no human beings are depicted, no humans are part of the story - and yet it's so moving. We see some lizards at the beginning, we see the odd fish - but other than that it's just water, earth and air. Pictures and words cooperate seamlessly, merging into a new amalgam. It's alchemy!

tisdagen den 23:e november 2010

The Golden Boy


There's a lot of talk about GOLD these days. Investors and bankers are debating the value of buying gold, and despite gold being unproductive and sterile in modern economic terms, still people want to own it and be charmed by its shiny yellow allure.

Gold is romantic, gold is for poets and dreamers. In olden days poets and soldiers (and whores they say) accepted nothing but payment in gold. Paper money would have been an insult. So hereby a tribute to that everlasting metal. (As for the poem's line about "the sprinter in the golden shoes" it's referring to Edwin Moses, an American athlete who used to wear 'em. And as for "golden hockey helmets" that's a tradition among Cup Winners, donning the contraption when they've won and posing for pictures of their triumph.)

There’s gold in the blood,
gold in the sunshine,
gold on the weathercock
and gold on the bookspine...
As for golden books, just
look in your shelf for
hardbound books, for the
title and author: it’s real gold,
embossed into the cloth or
leather of the spine.

There’s gold everywhere:
gold on the street and gold
within me, small particles
of gold pumping around
in the bloodstream.

I love gold. I’m The Golden Boy!
I’m Elvis in gold lamé, the sprinter
with the golden shoes, Salomo
in Jersualem where silver was
worthless. I’m a hockey champion
with golden helmet, I’m the Nordic
Frode with the Golden Age.

So I’m a golden king and a golden boy,
literally I am: through the gold in my blood
I am gold, a walking-talking, one-man Fort Knox.

fredagen den 19:e november 2010

Fire And Movement


Hereby a short story. It's about snow, coniferous trees, machine gun rattle and artificial moonlight. Enjoy.

1.

They reached a glade. The man at the head, Sergeant F., stopped the others and listened. The forest was teeming with its usual sounds: the bark snapping, the tree tops soughing. One sound, however, had been different. For several moments he stood completely still but he couldn't hear anything in particular. In the mean time he took his time exploring the glade with his eyes: about 50 meters across, bordered by wood to the right and grown with spare bushes and faded grass, peeking out through the snow. At the left a road ran by.

His vision started to get hazy. It was early in the morning and still dark, the artificial moonlight not giving much guidance. In cases like these you easily began to be mistaken, he knew that; alone in the night in a desolate outpost, a clump of trees in a field easily became an advancing line of skirmishers...

He blinked and adapted the eyes. Then he could hear the sound again. It came from the right, clearly something was moving in there. He got down on his knees and made a sign to the squadron to do the same, taking his gun at the ready, releasing the change lever, cocking and continuing to look out.

Now it was a shuffling sound. It stopped and was followed by the snapping of twigs and something hard to describe, sounding like a growl, a grunt.

Now he was prepared for anything. It was too late for orders. He hoped the men intuitively understood what was about to happen. He would dearly have liked to send a guy out to secure the flank though.

The sounds came at a quicker pace, approaching. He estimated the source to the middle of the row of trees, just inside. And even though their position was somewhat exposed, at least they had the lead in some way or the other.

From the shadows a dark shape sallied forth, entering the glade. It ran very fast, had shiny white fangs, four legs and raggy fur. Soon it was gone, disappearing on the other side of the road.

It was a boar.

The Sergeant turned to the man behind and made thumbs up, "all clear", which he sent on down the line. Probably none of the soldiers had understood what had gone by which the platoon leader thought just as well. They had other things to worry about.

Half a minute having passed, he made the "forward"-sign, getting up and going along inside the edge of the wood. The barely audible sounds behind him confirmed that the column had begun to move.



2.

The spruces stand silent and enigmatic, the beard-lichen hanging from the branches, the bluish-purple heather standing out against the snowy ground. Everywhere there's twigs, you have to watch your steps.

From a tree-trunk a scratching sound is heard. The Sergeant looks up and sees a squirrel, judging by the silhouette gnawing at a cone. He wonders if the animals doesn't sleep by this time, but maybe the artificial lighting has upset their daily rythm. Through the tree-tops the light filters down, rather like moonlight but stronger, looking like the light you see during a partial eclipse.

The squirrel sneaks away up the trunk. The Sergeant trots off, assault rifle at the ready. It's cold, about 10 centigrades below zero. He has the camouflage tunic knotted at the neck, the trouser legs tucked into the high bootlegs.

The wood stretches for as long as you may guess. He wonders over its actual size; on the map it doesn't look so big but once you're there it feels more than vast. The distance they have to cover isn't so long, but due to the character of the operation the marching tempo is low. "In case of infiltration, the number of marching steps per minute must not excede fifty", that's what the regulations say, he has read it and he muses over it now as he trots along to the creaking of his soles.

They reach an upward slope. F. calls for his second-in-command, ordering him to take half the force and continue the advance to the left of the road. Half-lying in the slope, the Sergeant watches the dark shapes hasten over the road: crouching, taking small, hasty steps, rifles in hand.

He has the plan of attack drummed into his head, having repeated it so often that its meaning has almost been lost. The scouts have reported an enemy outpost, about 200 meters to the northwest, at a crossing in a glade. There's at least one MG emplacement there, fieldworks none. This much you can know and out of this Sergeant F. has made himself a mental map. And as for mishaps the operation is now too far progressed, there's no time to worry. He throws all inhibitions aside and goes freewheeling, playing by intuition. All orders are given, the men are hand-picked and the whole situation so unlikely that it simply has to succeed.

He knows that the woods right now are full of lurkers like them. They are the division's spearhead; along trails and roads like this one they are infiltrating into the enemy's deployment. He looks at the watch, the uncanny lighting illuminating the clock face fairly well, but now he covers it to make the luminous dots stand out. 0515, fifteen minutes to H hour.

The last of the other section's soldiers disappear in the darkness on the other side of the road. The Sergeant rises and makes signs for line abreast, throwing an eye at each side to see if everybody comes along. Five meters covered most seems to be in place – and if someone is lost now it's all the same, he muses, the main thing is we have our support weapons.

Side by side the soldiers are marching, guns in firm grips, eyes staring under the helmet rims. Each step is taken with caution, a broken twig can alert the whole enemy outpost. From his place in the middle the platoon leader spies about through the trunks, thinking he can see a clearing further on. In turn crouching, creeping and crawling, the odd dozen men approach the final assembly area.



3.

The search-lights move silently over the sky, crossing, interacting, reciprocating, repelling. The light hits the underbellies of the clouds, reflecting down to the ground. The clearing now seems to bathe in light, then to be in twilight. Sergeant F. sometimes has to look twice to really see.

The place doesn't really look as he has imagined. Mentally it has become an ideal clearing with crossing roads, simple and able to survey, the reality however is something else. The crossing itself can't be seen as the terrain is vaguely undulated and grown with bushes and shrubs. At the farther edge of the wood you can see how the road continues in between the trees, and out on the flanks the ends of the crossing road can be seen. In the right hand corner there's an MG emplacement and next to it there's a firing position for riflemen.

Now the platoon lies deployed at the edge of the wood, combat distance 200-250 meters. Five minutes to H hour.

At the left the Sergeant happens to see a shape lying down, now moving. In the dark face the man's eyewhites can be seen, then a smile and a gesture, "OK". Farther away the rest of the section's men can be seen, here the silhouette of a helm, there a gun barrel.

Nothing is visible on the deserted plain. At the road side withered grass is waving in the wind. The tree trunks stand silent and enigmatic. The snow reflects the artificial moonlight. In the distance an owl is calling.



4.

At first you hear it as a distant coughing, then the noise increases, taking the form of an express train passing by, followed by thunder and a prolonged cracking. The grenades pass over their heads to knock out the enemy's rear lines, growing into a continous thunder. Along the whole of the 100 km frontline their guns roar, all of it becoming a mish-mash of whizzes, thunder and a sound like fabric ripping apart.

There's action at the other edge of the wood, shadows moving among the trees and commands being shouted. A minute passes. It is quiet, apart from the bombardment in the distance. Sergeant F. makes a calming gesture at his men. In a hiatus between detonations, he shouts at his second-in-command on the other side of the road. He answers with a faint "here", and F. continues:

”The crossing! On the double!”

At the same time he commands his own:

”MG! FIRE!”

The MG:s howl into action, tracers chasing over the glade, both weapons firing and filling the air with a monotonous rattle. Gradually the point of impact is corrected. By firing alternately the enemy fire trench is completely covered. On the other side of the road a team rushes up, trotting over the crust of the snow. Having barely taken ten steps two men fall, as if hit by the swing of a scythe, soon followed by their comrades. An enemy MG has opened fire. The second-in-command however, collecting his wits, crawls off with a rescue force to the crossing. The MG fire washes over them. Two men is lying in the field, moaning.

The barrels of the own MG:s are smoking hot. The MG squad leader orders change of barrels, one by one. Soon the alternating fire gets going anew.

The Sergeant prepares for action. They've still got the lead but the enemy is in no way passive. Suddenly there's a flash on the enemy left wing followed by a series of bangs, echoing in the glade. The outpost has two MG:s, not so nice. F. summons his sapper squad leader and commands him to press on along the edge of the wood, then attack the right hand MG-emplacement in the flank. The squad goes away, dark shapes accompanied by clanking weapons and broken twigs, disappearing in the twilight. The Sergeant orders a cease fire.

The men take the opportunity to reload, gripped by the excitement of the moment, sweating and breathing hard. Someone coughs. The Sergeant's brain works full-out, his dogged expression revealing nothing. "Don't just stand there - do something!" Acting or not acting, plans getting garbled after contact with harsh reality –

K + 4 minutes.

The enemy has ceased firing too.



5.

Through the bangs of the distant prep fire F. can hear shouts for help from the field, from the two wounded still lying there. He sends a man over to the other side with the orders to go help and rescue them, as the rescue team already sent out seems to have got stuck. The man nods and disappears.

F. regroups his MG-squad sideways. Some men from the other section enigmatically arrives. What to do with them? He sends them on to join the sapper squad.

A smoke-grenade explodes beyond the wounded in the field. The friendly MG:s give cover. Out of the woods, four men dash away to their fallen comrades. Now the tracers crack among the trees above Sergeant F., hitting too high. The ricochetting rounds add yet another sound to the symphony of whizzing grenades and distant thunder,

With a little help from the third man the rescue patrol gets going, saves the wounded and withdraws, dragging the wounded behind them. The impacts reek in their steps. They reach the edge of the wood without mishaps.

F. orders cease fire, adding, "Prepare for advance".

It goes silent, however silent it gets with prep fire in the background.

At the enemy outpost all is quiet.

Suddenly there are some sharp bangs, followed by a battle cry. It's the sappers, having blown up the right hand emplacement; now they cut into the position with leveled bayonets. Where the enemy MG has been, only a big cloud of smoke, dirt and sand falling to the ground is visible.

”Now”, the Sergeant shouts to the MG squad leader, ”now we got 'em. Follow me!”

F. darts away in the woods. They are about to roll up the enemy lines, like rolling up a ball of yarn. Branches and twigs scratch the Sergeant’s face where he runs along, assault rifle in his hand getting stuck in a trunk but he pulls it loose and keeps going. A quich glance to the rear says him that the MG-men trail along, however sagging, with their 15 pound piece and ammo boxes and whatnot...

From the outpost there's violent firing. It lightens between the trees and F. reaches the road, scouting and catching sight of the blown-up emplacement. Near a hole one of his own men is lying, firing against remaining resistance: a fire trench for rifle-men, protected by sandbags. In the ditch the rest of the sapper squad and the rifle group is deployed, firing for all they've got. The enemy MG on the other side of the road gets going.

The sergeant crawls along to the force in the ditch, letting the MG squad relieve them. The sappers then make for the edge of the wood at the same time as F. gives the MG squad leader fire orders.

The friendly group in the crossing has awakened. Employing the terrain for cover and concealement they join the MG squad. The Sergeant, commanding it to lie as a reserve, goes away to the blown-up emplacement.

From here he gets an overview: 50 meters away the enemy lies deployed on a small hillock, just about a rifle group with MG support. At the bottom of the fire trench where he is standing the remains of the enemy crew can be seen, some distorted shapes, severely maimed, half-buried by the collapsing sand.

The whole scene is in ethereal lighting from above. The underbellies of the clouds polarize the searchlight, making the glade bathe in yellow light. There are no shades.

Now the Sergeant waves forth an MG, the men joining him in a flash and getting going, F. roaring and pointing to the hillock. Soon the piece rattles along, garnishing the target with a hail of bullets.

Their adversary has far from given up. Where his men lie dispersed they are reached by smallbore fire and handgrenades from the hill. They seem to have lost some of their spirit. Crouching, the sergeant joins the sapper squad leader, dangerously close to the MG fire. The commanders exchange a few words, an order is shouted and the soldiers produce their handgrenades, cocking them and throwing them at the hillock.

All the while the Sergeant turns to the road, shouting:

”MG cease fire! Follow me!”

The handgrenades, more than half a dozen, fly elegantly up the hill. Even before they have touched the ground, the MG squad joins in. When the grenades explode in the enemy position, the sappers rush up out of their pit, treading resolutely up the slope, storming the trench with short bursts and leveled bayonets. The Sergeant sends the two MG:s to secure the right flank, firing position at the wood's edge toward the road.

The artificial lighting starts to dim a bit. A streak of light can be seen over the tree-tops. At the same time, however, a new light phenomenon has been added: the shiny curves made by the artillery fire. They seem to arise and disappear almost at the same time; however, by the large amount of projectiles in the air the spectacle of light seems to be continuous.

Now a soldiers creeps up to him, a latecomer. F. checks to see if he's OK, says some encouraging words, then sends him away to his second-in-command, ordering him to join with his force.

F. catches his breath for five seconds.

The din of battle in the emplacement ceases. He can see a soldier emerging over the edge, making the all clear-sign. Soon K. arrives, sweat pouring over his face. F. exchanges some quick words with him, watching the men behind him, ready to go. When K. have instructed them they run off as one man, longing for action. By rushes they pass the conquered hillock, disappearing behind a bend. Soon muffled explosions and hurrahs from the other side of the road is heard. The final assault.

Sergeant F. sits by the foot of the hill, producing his radio. Calling he gets an answer, after some moments of white noise and rustle:

”Beta Sigma, I read. Over.”

Sergeant F. exhales, saying in the mouthpiece:

”From Alfa Red. We have taken Point 312. Over.”

He lets go of the switch, hearing the distorted voice at the other end saying:

”Beta Sigma, I copy. Continue as ordered. Over and out.”

The Sergeant tucks away the radio, removes his helmet, wipes his forehead and puts on the helmet again. At the same tome the firing from the other side of the road stops. The second-in-command arrives for report, target taken; the Sergeant thanks him. Having given him new orders, F. summons his squad leaders to pay some compliments, followed by strict orders. They return to their units and put a stop to the loud laughters of the men. Guards are deployed. Those with nothing to do produce smokes, beginning to conversate quietly.

- - -

F. and his men have done their job, having taken and cleared the first enemy outpost. They have fought a small-scale battle and won. And by that the game is afoot, the offensive is rolling, the assault carries on. But how that will end, well, that is, like Kipling used to say, another story.

(Another story indeed. The above can be seen as a teaser for my Swedish language novella, "Eld och rörelse". Click here if you're interested in this hardcopy volume.)

måndagen den 15:e november 2010

Top 5 Ways Of Doing 'Reverse Engineering'


Reverse engineering is all the rage these days. Everybody does it, everybody wants to be part of this movement. So what have I to say on the subject, being something of a reverse engineer myself? - I give you this list, with five different ways of executing this modus operandi.

1. Corporate RE
If Corporation A has a machine out in the market and Corporation B want's to cash in on the sales, without infringing copyright, what to do? Easy. Based on the performance of the first machine the engineers are given the brief, "construct a machine that can do this and this", and luckily they come up with some gadget that is as good as the one Corporation A has. Then it's on to production and the big bucks, without having outright stolen the original construction.

2. Literary RE
Terry Brooks, David Eddings etc are reverse-engineered Tolkien. They have looked at Tolkien's books, taken the main themes and ingredients and mixed it into a mostly new breed. However, the traces of copycating are there, although not too clearly. It's because these epigons are smart enough to create something mildly original, but with the overall impact of the original pattern - Tolkien - implicit. They are, in other words, skilled in reverse engineering, literary variety.

3. Alien RE
If you have encountered an alien space ship and you want to create your own design based on it, then you have to reverse engineer that craft. Bob Lazar did that while working in Area 51, or so he claims...

4. Mystery RE
If you want to create a murder mystery, a "whodunnit", then of course you can't just write it from beginning to end and let it develop organically. No, you'll have to reverse engineer it, starting with the end (the mystery's solution) and then craft a story that leads up to this "exciting finale". Every mystery writer, from A. C. Doyle to Agatha Christie and onwards, do this. There is no mystery to mystery writing, it's just reverse engineering.

5. Social RE
If you use to think about what other people think of you, then you're into social reverse engineering. Like, instead of going to a certain party being yourself, you change yourself into what the other people would like you to be. You are, in other words, a social reverse engineer.

(Capernaum House, Israel)

fredagen den 12:e november 2010

Top 5 Conspiracy Strategies


There are trends in the "fortean world" too, in the realm of mysteries and occult stuff. In the 19th centrury it was spiritism, then came the Atlantis craze, then we had UFO:s and now we have conspiracies.

Verily: conspiracies nowadays seem to be the mainstay of occult lore, of the "weird stuff"-department. So what have I to add to this quagmire, to the wealth of information and desinformation that abounds on the internet? Well, I have this Top 5-list of some rules to remember if you're entering the conspiracy business by yourself. Enjoy.

1. "Action - Reaction - Solution"
David Icke calls this "Problem - Reaction - Solution". Name tags aside this is a central tactic for any secret society bent on controlling Big Politics. It can be illustrated by, e. g., (action) America's top bankers creating financial chaos at the beginning of the century, creating a public demand to stop recurrence of these turmoils (reaction), resulting in the Federal Reserve System (solution). Or FDR moving the Pacific Fleet from California to Pearl Harbor (action), resulting in Japanese strike (reaction), to which America's entry into the war is the solution.

2. "Divide And Conquer"
That's as old as Noah. The Romans did it among their territorial enemies. And a group bent on destroying the social fabric in a country can for instance propagate unlimited immigration (we see it all over the westworld today), saying that it's good for Diversity and Humanity's Progress and that resisting it is Racist and Reactionary. When the country's social fabric, traditions and culture is destroyed and it's populated by nothing but media-drugged zombies and ghetto people, then that Group can rule it like child's play.

3. "No Walk-Ins"
When, in your scheme of world-domination, you set up your forces of trusted lieutenants, hitmen, spies and whatnot to carry out the dirtier work, make sure you don't use volountary recruits. No, you've got to have some hold on them, something that makes it impossible for them to defect. Recruits that have heard about your operation and just walks in and wants to participate are useless. They tend to have their own will, tending to leave when they don't get a kick from participating anymore. Every secret service in the world knows this. Recruited agents (not rank-and-file agents but agents recruited in foreign countries) must know that if they leave their future will be destroyed by incriminating photos or whatever: that's "having a hold on them".

4. "Sugar-Coating The Message"
Dirty work aside, you could also need a front organisation for your cause. And recruting people to that one is a bit different. Here you shall stress charity and spiritual values and stage hearty gatherings etc. Ask any token Freemason and he says that his organization is all about that. That the higher levels in the society is about Power and Money is only known to the higher initiates. (Related to all this is the phenomenon of "useful idiots", i. e. employing unsuspecting people to promote your goals - like having journalists to "celebrate diversity" as a means to Divide And Conquer, see point 2.)

5. "Two Minds"
Don't bother being so rectilinear and transparent in your society's creed, so clear-cut and rational. Mix old magic and esoteric wisdom with modern techniques, like mind control and propaganda blended with UFO:s and yoga. As for UFO:s: don't get over your head if aliens contact you, no, use it! Use alien technologies and participation in your scheme for world domination. So don't get upset if the existence of aliens rocks your "rational world view": you have to believe the unbelievable if you are to stay your time in the conspiracy business.

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torsdagen den 11:e november 2010

November


It's November and here in Sweden the snow has arrived. I must say, I like it. It's kind of cosy, never mind the cold and the wind.

Winter's here but in my heart it's spring. Funny feeling but it's true.

So, what's more on my mind today? Maybe I should publish some deathless fiction, some enchanting story by my hand? I have forsooth a lot of juicy stuff on the harddrive. But, then again, I've already published some great work already. Like earlier this year, I had a piece in Morpheus Tales. So why don't I link to that one instad? Yeah, that I'll do. So here it is, a post on my Swedish blog, however with the exact same text that was printed in Morpheus Tales' paper edition. Enjoy.

Other than that, I've added a gadget for "most read entries" on this blog. See the right margin. And it gladdens me that my short story "A 14th Century Tale" is in the lead. I think it has got something to do with linking it to a comment of mine at Alternative Right, but hey, you never know. Maybe people google the net for "14th century tales" and voilà, there's my story and they rush to read it. Who knows. This blog has some readers though, that's for sure, without my really trying to push it, advertise and proclaim its uniqueness all over the net.

(The paiting is by a Frenchman, some Anne-Louis Girodet-Trioson. I like the both eerie and heavenly feel of it.)

fredagen den 5:e november 2010

Sword And Staff (poem)


Now for a poem of my hand. Everything on this blog is by me, and who "me" is you should have found out by this time.

It's time for a poem, a gnomic piece, a scholarly text in poetic form. And let me just warn you: if you hate mysticism and metaphysical poetry, don't read it.

An old wisdom tells us:
we need both the Sword Of Reason and the Wand Of Intuition,
both The Pentacle Of Valour and The Cup Of Sympathy.
Bring ’em all on your journey,
forgetting one and you’re lost.

Without the sword you’ll go mad.
Without the wand you can’t find the way.
Without the pentacle you’ll dare nothing
and without the cup you’ll lose your heart.

Thus a golden wisdom.
So sing this for memory:
”Sword and staff, cup and pentacle,
emerald, sapphire, topaze and ruby –
reason, intuition, courage, sympathy –
eeny, meeny, miny, mo”...


(The painting is by John Constable, I think. "Soutwest view" of some temple, somewhere in England.)

tisdagen den 2:e november 2010

Lennart Svensson: Good Cop, Mad Cop (flash fiction)


It's time for another ultra-short piece, a flash fiction as we call it in the industry. A work of fiction shorter than 1000 words. Here's my latest oevre.

Criminal investigator Johnson lived and worked in Anytown, a city somewhere in the Heartland. Once he was working on a murder case; however, the poor bastard went mad trying to solve it so another policeman had to take over the case. Smith, the new guy, did his best trying to decipher the illegible notes of Johnson, and he got some leads that eventually led him to a villa on 378 Park Drive. There a possible suspect would be living so Smith took his car and went over.

Finally there he found a letterbox with the address ”378 Park Drive” next to the drive of the villa. But turning around the streetcorner Smith found another letterbox, this one next to a cobbled walk leading to the back door of the same house. Here the address was ”101 Mayfair”. In a way it was logical since they were different streets and the house was situated at a streetcorner – but why two letterboxes at the same house?

Smith went up to the door and pushed the ding-dong. And who opened but Johnson, the mad policeman. After some more investigation Smith concluded that Johnson was the murderer, under the covername ”B. Batty” who happened to live in the same house although around the corner. A true schizoid: one man with his two personalities living in the same house, but on different addresses!

”I daresay,” Smith said to himself as the case was solved, sitting in his office smoking his victory cigar, ”this was a remarkable case. You could call it a criminal variety, with psychopathological undertones, on the theme of ’fireman also being a pyromaniac’. Here it was about a policeman being a criminal, my own colleague Johnson as it turned out.”

Smith took a whiff and let the smoke dance around in his oral cavity, slowly blowing the smoke out. Smoking cigars shouldn’t be done by inhaling, namely.

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